PROCESS & TECHNIQUES

Each piece in this series begins as an oil painting on canvas, which is used as a monotype plate, a printmaking technique where ink is typically applied directly to a smooth surface, traditionally plexiglass or metal, and then transferred to paper. This method was chosen for its ability to create thick textures and unpredictable, one-of-a-kind, impressions. Unlike traditional printmaking, where multiple identical prints can be produced, monotypes result in unique works where no two impressions are ever the same. The natural unpredictability of monotype printing lends itself to the fragmented, shifting quality of memory, capturing fleeting impressions and gestural textures.

The process starts with layering oil paint in a way that encourages rich texture and depth. Paper is then pressed into the painted canvas and left for extended periods, sometimes days or weeks, before being carefully pulled apart. This delayed separation allows partially dried pigment to transfer in unexpected ways, leaving behind a combination of solidified and fragmented color. The physical force required to separate the layers introduces an additional element of unpredictability, embedding energy into the final impression.

As the process continues, new layers of paint are applied onto the same canvas, and papers are reintroduced, sometimes replacing previously used ones, sometimes incorporating fresh ones. This ensures that each piece interacts with and influences the others, with pigment being transferred, removed, and redistributed, reinforcing the concept of interconnected and evolving recollections.

Following the initial print, these pieces are created through woven paper compositions, where the separate printed elements are sliced into strips and restructured into a new whole, symbolizing the way different moments and recollections intertwine.  Through these processes, the series captures how memories are layered, revised, and reshaped by time.

Each work embraces the materiality of the process itself and captures the delicate balance between preservation and transformation, much like the way memories shift, dissolve, and reassemble.

MEDIUM & MATERIALS

These works are created using oil paint based monotype techniques on professional-grade printmaking paper. Each paper weaving is sewn onto a 320 g/m² Khadi paper, a rag paper handmade in India chosen for its rigid structure, high quality, and neutral pH.

SIZE

Each woven composition is 10.00 × 10.00 cm and is sewn onto 20.00 × 20.00 cm paper support. Dimensions of each woven composition may vary slightly within this format.

EDITION & CERTIFICATION

This collection consists of 5 unique one-of-a-kind works.

Each piece is hand-signed on the back of the artwork and on the frame itself (when framed) and comes with a signed certificate of authenticity including an image, detailing the title, materials, and date of creation.

FRAMING & MATTING

Each work is sold unmatted and unframed, allowing collectors the flexibility to frame the piece according to their preferences. However, custom framing is available for woven impression pieces upon request. Framing is made locally in Paris by a specialist framer and is available in natural French oak wood and includes glass protection. It is recommended that the piece be framed in a shadow box and to leave the deckled edge of the handmade paper visible by not using a mat.

Please note that if a custom mat is ordered, an additional 7-10 business days should be considered for handling time before shipping.

For framing or matting requests, please fill out the form here.

ARCHIVAL QUALITY

All materials used in this collection are carefully selected for their archival properties, ensuring the longevity of each work. Archival quality means that the papers, paints, adhesives, and supports are acid-free and lightfast ensuring long-term durability. These choices preserve the structural and visual integrity of each work over time, allowing them to be appreciated for generations to come with proper care.

ARTWORK CARE

To preserve the quality and longevity of the artwork keep the work out of direct sunlight to prevent color fading of the print over time. Additionally, keep away from high humidity or moisture to protect the support from warping. If framing, use UV- protective glass and archival quality supports to further safeguard pigments against environmental damage. Handle the artwork with clean, dry hands to prevent transferring oils to the surface.

SHIPPING

Each artwork is carefully wrapped and packaged in the studio to ensure safe transit. Shipping includes:

• Tracked shipping within two weeks of purchase.

• International shipping available; additional delivery times and customs fees may apply.

For rushed orders, please contact in advance to arrange expedited shipping options.

All artwork is the sole property of Annelies Danielle Schubert and is held under copyright even after purchase. For more information, please refer to my terms of use & policies page. All images of artwork, sold or otherwise, are retained by Annelies Danielle Schubert.
The images, artwork, and contents of this website may not be copied, collected, or used for personal or professional gain without the express written permission from Annelies Danielle Schubert. All images on this website are taken by Faten Triki or Annelies Danielle Schubert.

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